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Giving Bad News, Badly

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Abstract geometric painting with a bold diagonal black grid dividing white and grey fields, punctuated by solid blocks of blue, yellow, red, ochre, and pale grey.

In Defence of the Em-Dash

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Early printed page from Shakespeare’s Othello (The Moor of Venice), showing dense blackletter text with repeated long dashes used for pauses, interruptions, and rhetorical emphasis.