Art as Background
Turner was something of a privacy advocate. In the 1841 census he rowed a boat into the Thames so he could not be counted as being present at any property
Essays on the intellectual currents that influence how we think and work: philosophy, culture, language, and the often-unexamined ideas that structure everyday decisions.
93 essays
Turner was something of a privacy advocate. In the 1841 census he rowed a boat into the Thames so he could not be counted as being present at any property
Emotional Contagion is the phenomenon of feeling what it appears someone else is experiencing. Art abounds with examples of this, where a painting, sculpture or film elicits a sensation in
Though conclusions drawn from data may be offensive, we should be slow to take offence at data. Even if it contradicts our deeply held beliefs.
Musing on how the building I passed was the very antithesis of the Gothic, I found myself recalling some of the majestic architecture of the past.
Avid readers, and those who accidentally stumbled in searching for something else, will have seen deliberations on whether or not to switch platforms.
One superb example of the genre is the business letterhead of Nikola Tesla - after whom the car company is named. Stunning share by Letterheady.
While the line between a Socratic acceptance of the limits of our knowledge and genuine ignorance is blurred, academia's financial rapacity knows no bounds.
One of the most memorable photographs of D-Day was taken by Chief Photographer's Mate Robert F. Sargent and aptly titled 'Into the Jaws of Death.'
I didn't have the time to write you a short blog about historical analogies, so I wrote about something else.
The key is to avoid reading events falsely, which inevitably leads to politics shaping what we think is true.
My quest for a publishing platform which was both elegant, unencumbered by endless plug-ins and left me alone with my text, brought me to write.as.
A compelling aspect is the way in which Hokusai's work burgeoned as he aged. An unconscious reaction to feeling we are yet to realise our potential.
I came across a stone bench that appeared to be very old. Carved into an ancient looking wall, dappled in moss, thick creepers wound across its surface.
Though it is not clear if this is the poet or the urn speaking, what is clear is that the passage seeks to transcend visual value.
The past, which comes flooding in, transports us to a moment which is both frozen in time and animated by our thinking. 'Oh, the humanity!'